Dynamic Grading 2 is a FREE update for users of Dynamic Grading 1.x!
Mixing should feel like making art, not solving a puzzle. With Dynamic Grading, you can dive straight into creative decisions, exploring and navigating your mix’s dynamic range with confidence and intention.
Sculpt punch, shape body, and carve out space without getting lost in endless parameters. When inspiration strikes, Dynamic Grading keeps distractions out of the way, letting you focus on what matters: making your mix come alive.
Dynamic Grading isn’t just another compressor—it’s a fresh approach to mixing that keeps you in the creative flow. Whether you’re refining a vocal track or sculpting a full mix, this tool delivers results that inspire.
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More InformationHere’s why engineers and producers fall in love with Dynamic Grading.
Dynamic Grading goes far beyond traditional dynamics processing by taking control of three distinct parts of the dynamic range, each serving a specific purpose.
Independently adjust compression or expansion ratios in the Punch, Body, and Floor of your signal for nuanced control.
Think of it like a transient shaper. Make instruments more present and upfront, or push them farther away to create depth in your mix.
Here’s where a lot of the action happens. Apply compression or expansion to only the core dynamics of the sound, without affecting transient clarity.
Make your mix shine and clean out unwanted noise. Or use this to increase or decrease reverb or room. It’s simple and almost like magic!
Dynamic Grading comes packed with features designed to achieve great sound and intuitive control without leaving you lost in a forest of knobs.
Stop guessing threshold and ratio values. Gain real-time visual insight into your audio’s dynamic range. View the input and output signals side by side to shape your sound intuitively.
The easy to use sidechain tilt filter guarantees natural-sounding results by properly accounting for the spectral balance of your audio. Our Magic Eye guides your way to the sweet spot.
Achieve accurate and smooth dynamics with Auto-Lookahead and Natural Release Ballistics.
This is one of the few dynamics plugins offering support for multichannel audio formats like Atmos. Shape, mix and master everything from mono tracks to 3D Audio beds and masters up to 16 channels. All with continuously variable channel link.
Automatically detect a signal’s body range to jumpstart your workflow.
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Dynamic Grading 2 is a FREE update for users of Dynamic Grading 1.x!
Learn more about Dynamic Grading and its usage in practice on our Blog
When it comes to mixing, compression often gets treated like some sort of magic fix. Not loud enough? Compress it. Levels too variable? Compress it. Want it to sound “professional”? Throw on a compressor and hope for the best.
Compression is one of the most commonly used tools in audio production. It’s also one of the most frequently misunderstood. Whether you’re mixing vocals, drums, or full programme material, the basic goal remains the same: shape the dynamic range in a way that serves the music or content. But it’s easy to misjudge what compression is doing – and what it isn’t.
When you listen to a polished record, watch a tightly mixed song, or hear a voiceover that sounds just right, there’s a good chance a compressor has been at work. Compression is now so deeply embedded in audio production that it’s hard to imagine a time without it. But like much of the technology we use daily in music, it has a surprisingly physical and industrial past.
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Dynamic Grading 2 is a FREE update for owners of 1.x licenses!
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