Parallel compression is a standard mix technique, but it has real limitations. This weighs the benefits against the trade-offs and when a different approach works better.
We are absolutely thrilled to share that Dynamic Grading 2 has received a nomination for the 2026 Sound on Sound awards. SOS is one of
We’re pleased to share that a new maintenance update for Dynamic Grading is out now! With v2.0.4, we’ve focused on the small details that make a
Punchy, glue, transparent — compression language is full of words that mean different things to different engineers. Here is a clearer way to think about them.
Compression is essential. It is also one of the most common sources of mix problems. This covers the specific ways it goes wrong and what to listen for.
Production Expert tested Dynamic Grading 2 on dialogue. Here is a summary of their findings and what the results mean for post production dynamics workflows.
Getting more attack without thinning out the low end is one of the trickier compression calls. This covers the techniques that actually work on drums and buses.
We’re excited to share that our Founder, Christian Luther, was recently a guest on the Production Expert Podcast! In this insightful episode, entitled ‘The Art of
Over-compression, loss of clarity, pumping artefacts — compression creates as many problems as it solves. This covers the most common issues and how to avoid them.
Most compression errors come down to three habits. This covers what they are, why they happen, and the adjustments that fix them across vocals, drums and mix busses.
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