Transient designers are a staple in modern production. They are quick to use, easy to understand, and can be very effective in the right situation.

Dynamics as Structure, Not Triggers Most dynamics tools still revolve around a single decision point. One threshold, one behaviour. You can add multiband processing, sidechains

There’s no shortage of articles explaining how to use audio compression. In fact, we’ve written plenty ourselves to support the audio community. From tutorials and

If you’ve just installed Dynamic Grading, welcome. We built this tool to give you a different way of working with dynamics. Instead of relying on

If you’re already familiar with the concept of Dynamic Grading, you’ll know that its unique strength lies in allowing engineers to easily define and control

Parallel compression has earned its place in the mix engineer’s toolkit. When used well, it can bring energy, weight and clarity to a mix without

Spend five minutes on a forum or social media thread about compression and you’ll quickly stumble across a sea of words that don’t appear in

Compression is one of the most powerful tools in a mix engineer’s kit. It can control dynamics, add weight, and bring consistency to a performance.

We’re excited to share that the renowned audio production website, Production Expert, recently took an in-depth look at Dynamic Grading 2 – from the perspective of

There’s something deeply satisfying about a mix that hits with a bit more weight. When the kick thumps, the snare cracks, and the whole thing