The Spectrum parameter is one of the least obvious controls in Dynamic Grading and one of the most important. This explains what it does and how to use it effectively.

Once you understand Dynamic Grading’s three-region model, the practical applications open up fast. This covers how to shape punch, body and floor across different sources.

Parallel compression is one of the most used advanced mix techniques. This looks at how it works, where the dry/wet relationship matters, and when there is a better option.

Founder Christian Luther walks through the basics of Dynamic Grading — how to read dynamic histograms, set punch, body and floor, and get musical results from the start.

Dynamic Grading’s histogram view is unlike anything else in audio. This explains how to read it, what the three regions mean, and how they map to what you hear in a mix.

A fast practical demo: drums, bass and guitar built into a rough mix using Dynamic Grading in under three minutes. Useful for understanding the workflow before your trial.

The Audio Developer Conference talk that started Dynamic Grading — a detailed look at the research and thinking behind intensity-region dynamics processing.