Parallel compression has earned its place in the mix engineer’s toolkit. When used well, it can bring energy, weight and clarity to a mix without

Spend five minutes on a forum or social media thread about compression and you’ll quickly stumble across a sea of words that don’t appear in

Compression is one of the most powerful tools in a mix engineer’s kit. It can control dynamics, add weight, and bring consistency to a performance.

We’re excited to share that the renowned audio production website, Production Expert, recently took an in-depth look at Dynamic Grading 2 – from the perspective of

There’s something deeply satisfying about a mix that hits with a bit more weight. When the kick thumps, the snare cracks, and the whole thing

When it comes to mixing, compression often gets treated like some sort of magic fix. Not loud enough? Compress it. Levels too variable? Compress it.